film Friday After s (projection number 100 of the Imaginary and final CineClub t emporer 2009/2010) will have a little party. If you plan on bringing something to eat or drink, you can put it as a comment to this post (trailer below). So we do not repeat. Lest we find ourselves with 20 plates of caviar and do not know what to do with them.
Agnès Jaoui and Jean-Pierre Bacre

Jaoui's story, directed the film, plays Agathe Villanova, a feminist recently involved in politics, who spends a few days in his hometown, along with his partner, Guillaume (Laurent pitcher). Karim (Jamel Debbouze) and Michel (Bacri), they want to interview the policy to make a documentary about successful women. Villanova accept, without knowing that this will jeopardize his political career and their relationship. Karim is the son of Mimouna, the maid of Agathe's parents, while Michel is related to the family on the other hand, maintains an affair with his sister Agathe, Florence (Pascale Arbillot), a married woman and opposite in personality and physical the protagonist.
The film begins by introducing each of these characters independently and without knowing which links exist between them or how history is going to join. For a while, the true story of 'Let It Rain' does not start and the viewer does not know the paths that might take.
However, this somewhat slow start gives way to a fun story of intrigue and confusion that is very acidic analyzed power relations and feelings of inferiority and the feeling of not knowing what to do with our lives and doubt if you stay true to our decisions, even if proved absurd. Using resource subtly snowball effect, the writers manage to mess up an initiative that is apparently harmless and put us on the opposite end at the end of the film with hardly noticed we have changes. Comment
'Let It Rain' is not presented as a pure comedy, but has dyes and endearing melancholy. But what is unmistakable in his tone, as in other films-Bacri Jaoui, is the pleasing absence of undue severity or exaggerated drama, not that this prevents the authors address serious issues in depth. It is admirable in this pair of artists how they can use the subtext and achieve tremendous things happen where it seemed that nothing was wrong.
The immense puzzle of personal relationships that make up the plot has more parts than those mentioned in the synopsis. Although there are so many, each of these ties are reinforced or challenged by what happens in those days. This is further proof that, while giving the impression that nothing much happens, the film is full of facts and consequences. All actions of the film, which could appear to be just a funny scene (for example, the choice of the hill with sheep for the recording of the interview) have a significance that goes far beyond. What mood are producing something silly or childish situations that lead to more embarrassment than open laughter. This simplicity is deliberate purpose further highlight the absurdity in which the characters are. Therefore, 'Let It Rain "offers a reading class in which we find much humor and with whom we have a good time, and another where we perceive social criticism.
Bakri, as he had done before, interpreted a man who sees little cultivated his reputation as a filmmaker is disappearing. Their customs are mess up and embarrass those around him. But this not only puts him under the microscope, but also serves to analyze others. This shows that one of the strengths of these two writers lies in the observation of the characters. The principal role is to get more sticks and played with such conviction that we must believe that it is so if we had not already seen in other films. The tandems that create Jaoui and Bacri usually have a third wheel, which in this case it's up to Debbouze, a character that probably causes all imbalances by its own definition.
'Let It Rain' is an interesting proposal that will allow us to spend a nice time while we reflect on family and social relationships or our own personality.
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