Wednesday, September 22, 2010

Is Yoga Good For Meralgia



Arturo Mendez-Roca

Forgive Don Pablo

daring to incur the subject of his art

Bird's their fault for trying

including such key issues

of our being
of our geography Since



egregious amount
fly glide on horizontal or diagonal


threatening and dark alone when birds of prey


eyeing small animals with its telescopic sight
flock
or migrating from one hemisphere to another announcing
accompanying the change of seasons

since the world began



combine protein and embody
transmute

multiple entities in various

biblical angels bearing the word of God
Sword of Fire


indicator of
way to heaven is announced on its wings Birds


fire on the other hand
show themselves when
uncertain times but interspersed
threatening
before our eyes


Our ambition to fly us also makes us icaros

the proximity of the sun dissolves the wax

our wings

ever dissolve our stuff
same
if we ultimately
if we become more birds than birds

and crossed the room with our seed

and your parent birds


The iconic condor holds

shield side (I'm Chilean)

sheep down there buzzards vultures
tremble

vultures are preparing to descend the dark
broad scope of its wings


tender dove nestled however


their offspring nest in the best flags
give your gray or white plumage

the smooth curve
chest to what we call peace
and we grope

like bats without radar biological

to collide with objects

a different height in the deep

confusing night for forever

peacock

opening her fan in such legend and stage decorations

descriptions of dollars to us to be exotic

On the other hand the same forever

cocks that organize their chorus at dawn
arching ridge spurs

flapping wings bristling

baptizing and every day the birth of the world


again and again until the end of time

eagles condors

the same number of other birds as their geographies

are stamped on various flags in various currencies

stand in the legends in the myths


the sacred books are at the peak advertising industry

earth endless tear the entrails of Prometheus

huge walks the Roc

may have been some
myth already lost because, as on a huge animal might
bafo reptile
on whose back the world lies

likewise on the back of a bird is actually

as the world moves through the cosmos

Perhaps

more present in the personal life of each
not in the vast cultural frieze
nations whose paintings murals

paragraphs are crossed

bird has crossed
sparrows that feed them with crumbs
Sharon
other goodies
in the months that they can

when the Great White Bird of almost inexpressible winter

of these
latitudes gives way to summer
bird made of fire and moisture


When we sit in a cafe with terrace and drank wine

without shame or guilt
eat something
and sparrows chubby

pardogrisáceos universal latitude covering all
and length is also

come to our feet to eat crumbs


more birds Addendum as required by the speaker

sobrerrevolotearán which bands we survived by eating of our carrion

repeating this cycle as being with nature
In that we ourselves will become
part of these tissues solidified by the graceful plumes
That while isolating the cold
Thanks to its hairiness overlay that creates air pockets
and quality of its hollow stem
O
those muscles graceful in flight
adopt the way of looking at things and say
So from a privileged position
but covering all
As if we could be witnesses
That perhaps rightly expect

This survival of the birds would like to believe

Hovering over our barren
sown
Sterile The ashes of our cities
Occasionally punctuated
For absurd statue to another observer
Apart from this false observation
implement

Thursday, September 16, 2010

Tanning Booth For Sale

Seraphine (Martin Provost) France - Belgium, 2008. Friday September 17, 2010

Address: Martin Provost.

Countries: France and Belgium.
Year: 2008.
Duration: 125 min.
Gender: Biopic, drama.
Interpretation: Yolande Moreau (Seraphine), Ulrich Tukur (Wilhelm Uhde), Anne Bennent (Anne Marie),




SYNOPSIS In 1912, the German collector Wilhelm Uhde (Ulrich Tukur), one of the first buyers discovered Picasso and Henri Rousseau "The customs", rent a flat in Senlis to devote himself to writing and rest of Parisian life. The landlady sends a cleaning woman, Seraphine (Yolande Moreau). Some time later, dining at the home of the owner of the apartment, Wilhelm sees a small painting on wood. Are surprised to learn that She is the woman who cleans his house. Thus was born a poignant and unexpected relationship between an art dealer and a visionary woman.


Comment

Provost The film delves into a unique spirit in an age of avant-garde artist's subjectivity charged more important than reality. For this reason, try to capture in their images the same innocence and dra-matic intensity with which the artist did in his paintings. In the first part of the tape breathes } air and wind of nature, the freshness of its waters and the peace of their days, in the best tradition of French impressionist film. The picture is bright, careful planning and timing parsimonious, while the dialogue is terse and simple, with the same ingenuity Seraphine paints.


The advent of World War 1 and later passed the Great Depression on tiptoe because the director is not interested in entertaining the political-economic environment, but leaving a trail of darkness and drama in the artist's soul, deep in the night of darkness and madness of the spirit. His paintings are then loaded dynamism and tension, inner shadows and gaining ground in the light and natural landscapes, their existence is far from reality and that alienation comes the best of his work, the most intimate and personal as happened to many visionary artists and misunderstood in his time.

gradually and without fanfare, with a polite tone and almost imperceptible, the viewer witnesses the glare / bust of the painter and perceive the gulf between herself and the world. Uhde's gaze serves both to discern the purity of "primitive art" rediscovers that modernity to be moved by the dislocations of the author. Provost manages all artistic film supported on a set staged to issue, tempo contemplative and uncompromising drama free and easy. Intimate but nothing maudlin, photography and music are on the superb interpretation of Yolande Moreau the perfect counterpoint to convey a state of mind, capaz tanto de sentir el frescor de las aguas o la rugosidad del tronco de un árbol como de reflejar la agitación y el torbellino interior de unas voces angelicales que vienen a los desposorios de un alma inquieta. Su manera de mirar las pinturas, el carácter artesanal con que fabrica sus colores, su contacto con la Naturaleza, la evolución en su relación con Uhde… son momentos exquisitos de un cine plenamente artístico.