Jorge Fernández Gonzalo
I
My body crossed by all machines, chips
orphaned by the vision, the rhetoric
by
birds with which to set out the impossible.
Light, in the bushes, calcined
still too
consistency.
Beware of words that penetrate the air
and throbbing between branches
blasted almond,
on pure guts sparrows.
My body has a hollow footsteps, chrysanthemums
perforation,
machines to name the dawn of arms,
machines for my fingers breeze
for joining my gaze
reef or a subtle gear mouths.
II
Every bird is a machine, machinery
my vision that aligns with your flight,
clotting step of their wings and skews
tiny crystals
surface air like a crystal that had no reflection any,
water as a background where a bird was a rock,
a stone thrown into the river,
a crack that slowly unveiled the cavities
a sky of ashes, the clouds break where a light metal
invisible
texture gives hands, stalking the limit
bodies pierced with a grain of clarity,
gives the purity of the complex,
configure a machine
spring birds and clouds,
wiring confusion, dysfunction
amazing thing.
Too many machines, and birds.
No bird is real, but the layman
link between an eye and a body that still can not get the tombstone
name, thickness,
happen when all that unites the event
is a strip of space, the margin
batch of oblivion.
birds You see the glass that they have trampled
in the tent of heaven
the same fictions that glimpse, the same puzzlement
light tracery
Cloud unraveled?
There are no words for all these devices
because every word reveals, only,
an interruption of larks.
III machines
Too, too many birds, too
improbable fictions in this sky
that leaves the placid comfort
made her lie and body of the poem,
writing that breaks the glare of the limestone, giving
Nomenclature
the stem iridescent light.
not give voice to those machines, the alliance between the birds and my eyes
aware of your flight,
but that space, the void yet to be thought
when they have passed all the swifts.
Jorge Fernández Gonzalo , 1982. Doctor en Filología Hispánica por la Universidad Complutense de Madrid, ha realizado una tesis doctoral sobre la poesía del poeta Claudio Rodríguez. A su tarea investigadora hay que añadir una reconocida trayectoria como poeta. El autor ha publicado los libros Amantes invisibles (2003), Premio Blas de Otero por la Universidad Complutense; Mudo asombro (2004), Premio Joaquín Benito de Lucas; Una hoja de almendro (2004), con el que obtuvo el Premio Hiperión de poesía joven; El libro blanco (2009), en la editorial Huacanamo y Arquitecturas del instante (2010) en la colección Adonáis. Codirige la revista digital Revista Neutral, on the work of Maurice Blanchot, and has published several studies on poetry, philosophy and thought.
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